The Erich Lindenberg Art Foundation presents a solo exhibition dedicated to Margherita Turewicz Lafranchi, whose artistic research explores the relationship between matter, space, and perception, moving constantly between thought and form.
Educated at the Academy of Fine Arts in Warsaw and later active in Switzerland, the artist has developed an interdisciplinary approach that understands art as a means of making normally invisible forces and relationships perceptible. The exhibition, entitled Pramateria — a Polish term preserved for its layered meanings — investigates the idea of primordial matter as a field of potential from which forms emerge and transform.
The exhibition brings together “thought drawings,” visual notes in which ideas take shape, and sculptures and installations that translate them into three-dimensional form. A central section is devoted to the series Black Holes (2013–2023): works made of shattered glass that shift according to the viewer’s position, transforming from dark, compact surfaces into luminous sources of light. What appears as absence reveals itself instead as threshold and possibility.
The exhibition highlights a practice shaped by Central European tradition, Polish training, and Swiss experience, offering visitors a perceptual journey suspended between the visible and the invisible, matter and intuition.
The Erich Lindenberg Art Foundation presents a solo exhibition dedicated to Margherita Turewicz Lafranchi, whose artistic research explores the relationship between matter, space, and perception, moving constantly between thought and form.
Educated at the Academy of Fine Arts in Warsaw and later active in Switzerland, the artist has developed an interdisciplinary approach that understands art as a means of making normally invisible forces and relationships perceptible. The exhibition, entitled Pramateria — a Polish term preserved for its layered meanings — investigates the idea of primordial matter as a field of potential from which forms emerge and transform.
The exhibition brings together “thought drawings,” visual notes in which ideas take shape, and sculptures and installations that translate them into three-dimensional form. A central section is devoted to the series Black Holes (2013–2023): works made of shattered glass that shift according to the viewer’s position, transforming from dark, compact surfaces into luminous sources of light. What appears as absence reveals itself instead as threshold and possibility.
The exhibition highlights a practice shaped by Central European tradition, Polish training, and Swiss experience, offering visitors a perceptual journey suspended between the visible and the invisible, matter and intuition.
Contatti
info@fondazionelindenberg.org